At the most powerful companies in Silicon Valley, small teams of anonymous, hardcore music fans race to solve the record industry’s toughest problem.
When he’s choosing your music for you, Carl Chery, 37, is in Culver City, California, sitting at his desk, trying to decide whether Drake and Future’s “Jumpman” (jumpman, jumpman, jumpman) has jumped the shark. Or sometimes he’s at home, walking around in his living room with new Gucci Mane blasting from a Beats Pill. Or at the gym going for a morning run on the treadmill, thinking about your gym and your treadmill, listening through headphones for changes in tempo and tone: Will this song push you through the pain? Is that one too long on the buildup?
For a while we thought we could choose our own music. Remember that? In the wake of the last century we seized the right to take our pick from all of the songs in the world (All of the songs in the world!) and told anyone who didn’t like it exactly where they could go. And when it turned out that was too many songs after all (how many lifetimes are needed for a complete survey of Memphis soul? Or Brazilian funk?), a new category of music services appeared to ease our burden. But these services were flawed, said someone about to make a lot of money, and could only recommend music based on what we were already listening to. Did they even really know what we wanted? Do we not contain multitudes? And so now we have people like Chery.
Since he left XXL magazine to join the music-streaming service Beats Music (now Apple Music) as head of hip-hop and R&B programming in 2012, Chery and around a dozen of his colleagues, working largely behind the scenes, have embarked on a never-ending quest to organise every song in history into concise playlists that you can’t live without. In 2014, when Tim Cook explained Apple’s stunning $3 billion purchase of Beats by repeatedly invoking its “very rare and hard to find” team of music experts, he was talking about these guys. And their efforts since, which have pointed toward curated playlists (specifically, an industrial-scale trove of 14,000 and counting) as the format of the future, have helped turn what was once a humble labour of love for music fans into an increasingly high-stakes contest between some of the richest companies in the world.
Article sourced from buzzfeed.com